TALKS
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Transmission: Hospitality
(conference Chair/organiser)
Sheffield Hallam University
2010
www.transmission.uk.com
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The Contingency of Curation
(organiser)
Tate Britain
2010
www.contingencyofcuration.org
Audio podcasts of the symposium from tate.org (mp3 format):
Panel 1
- The Autonomous Curator
Panel
2 – Mediation as Production
Panel 3 –
Curating Friction
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The Jerde Masterplan
Imploded
action, dissonant affect: Towards a new politics of non-relationality
(exhibition panel discussion, organised by Amanda Beech), Spike
Island, Bristol.
2010
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On Display: Artists & Shops
(artists talk), symposium organised by Becky Shaw, Site Gallery,
Sheffield.
2009
Site
Gallery: On Display
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Spectacle and Social Space
Leverhulme Public Lectures Series, Department of French, Sheffield
University.
2009
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Episode: Pleasure and Persuasion in Lens-based Media
Conference
Tate Britain
2008
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Transmission: Host
Symposium
Sheffield Hallam University, The Showroom Cinema and Site Gallery
2008
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Curating Video
Symposium
Chelsea School of Art, UAL
2008
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Revisiting the Bonaventure Hotel
Conference paper
‘Vicissitudes: histories and destinies of psychoanalysis’
Institute of Germanic and Romance Studies, University of London
2008
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One Way Street
Panel Presentation KX Gallery
Hamburg, Germany
2007
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Spectacle and its Fragmentation
Conference Paper
‘Ubiquitous Media’, University of Tokyo, Japan
2007
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Is Art a form of Debate?
Panel Presentation
Venice Agendas, Venice Biennale, Italy
2007
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One Way Street
Panel Presentation
University of Nevada, Reno, USA
2007
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Working from the Collection
Symposium
Transmission: Speaking and Listening
Sheffield Hallam University/Site Gallery
2007
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Daily Encounters
Symposium
Transmission: Speaking and Listening
Sheffield Hallam University/Site Gallery
2006
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Episode: Experiencing the Pleasure and Persuasion
of Lens Based Media
Symposium
Leeds Met Gallery
2006
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Provenance
Symposium
Transmission: Speaking and Listening
Sheffield Hallam University, Showroom Cinema and Site Gallery
2005
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Experiential Placemaking and the New Real
Conference Paper
‘The State of the Real Conference
Glasgow School of Art
2003
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